(JTA) – A gallery in London canceled an exhibition about censorship under Vladimir Putin because it objected to social media posts by one of the artists mourning the victims of Hamas’ attack on October 7.
In an Instagram statement posted July 4, Metamorphika studio accused Maria Sarkisyants, who is Jewish and comprises one-half of the artist duo Pomidor, of neglecting the deaths of Palestinians. The exhibition, “Even Elephants Have Elections,” was open for one day.
“As a coalition of artists, founders, and more, we believe in the freedom of occupied Palestine,” the studio wrote. “And we ask our collaborators and artists to condemn oppression in its all [sic] geopolitical contexts without exemptions.”
The statement added, “Some of our members have contacted us sharing their concerns about certain publications by Mrs. Sarkisyants [on her] personal page taking [a] position on the ongoing humanitarian crisis in Palestine.”
Russian President Vladimir Putin speaks to Russian journalists before his departure at Noi Bai International Airport in Hanoi, Vietnam June 20, 2024. (credit: SPUTNIK/GAVRIIL GRIGOROV/POOL VIA REUTERS)
The London cancellation comes after Maria expressed sympathy for Israel on social media on October 7, the day of Hamas’ attack. She grew up in Russia, where she and Polina founded Pomidor in 2018 before relocating it to the United Kingdom in 2022 following Russia’s invasion of Ukraine. Maria, who holds Israeli citizenship, moved to Israel in 2022 and lived in Ashkelon, one of the coastal cities attacked by Hamas on October 7.
“Israel my beloved, we are here, we are here to support each other, all my thoughts are with the kidnapped,” she wrote in Russian in one post, adding a prayer that they be returned home alive. A month later, she called for Israeli hostages in Gaza to be freed.
Her posts in the aftermath of October 7 remain pinned to her Instagram profile, as does another mourning Russia’s invasion of Ukraine.
The posts were unacceptable to Metamorphika, the studio said, because Maria did not acknowledge the deaths of Palestinians. The gallery suggested that this made the politics of her exhibit, which “confronts the repressive state of Russia,” inconsistent: “We believe that this understanding of brutality and violence shouldn’t stop at one country’s borders.”
The gallery also insisted their decision “has nothing to do with one’s nationality or identity but with a two [sic] polarized understanding of repression.”